spencerflem might be an interesting thread to read through. I owe ya an email! Thanks for the dm.

Also I don't know if ghostoffuffle is still around at all (man, I'll be stoked if fuffle responds to this), but also has extensive, extensive experience in radio. Unsurprisingly, so does kleinbl00.

THE EDIT AT THE TOP

(This became a huge post and I'm sorry if it appears overwhelming but it really isn't! There are a lot of steps and if you find people to help it will become a lot easier. I just wanted to be as thorough as I could be on a Sunday night while I'm doing laundry and I really hope this is of benefit to you!)

It depends entirely on the scope of what you're trying to do. If you want to broadcast over the air, a structure similar to ours (that would be WITR) or WTBU would be a good start. If you're looking to start something that is internet streaming only, then I would recommend a structure similar to RadioUTD, down in Dallas. That should really be where you start: Do you want this to become something that will have to ultimately be regulated by a Telecommunication Commission, but also be of a much larger scope and visibility, or streaming only which will be much easier to setup and will face a lot less scrutiny.

THE TECHNOLOGY (For streaming purposes only)

1. An audio stream and a server (for our streaming we use icecast so I'm going to link you to this article). You'll probably want a dedicated computer and server to host all of this, so that you won't have it turned off all of the time. Honestly, if you read that article and this one it will give you a pretty good idea on that end.

2. Want to play music and make it convenient for people? Automation and a digital library is a great, great thing. That's where something like the Rivendell Project comes into play. If you have a bunch of great CDs, and want other people to be able to play it, you can rip them to whatever directory you have set up and then import them into the program. From there, it's as simple as a search to get them playing. Any software like that is a powerful tool. You can also prerecord a show using Rivendell and have it set to play at a specific time, which is a great way to fill time.

3. Royalties. I have no idea how the royalty system works in Canada, so that's something you'll want to look into. I highly suspect you're going to end up having to pay some company a good chunk of money on a yearly basis to be able to play music. The nice part about streaming is that you won't need a license, which you will the second you decide to broadcast over the airwaves.

4. If you're interested in doing a broadcast, let me know and I can try my hand at explaining that too. You'll need a lot more money and equipment to do that.

THE PURPOSE (Or: I went through the tech side of things first because I go to a tech school).

1. Now what? You've got all this fancy stuff to make an online stream possible, some people interested and willing to help, etc. I'd start thinking about a mission statement now, and also branding (more to come on that later!).

2. Formatting! What do you admire in radio? Here's the part where, as thenewgreen mentions, listening to radio comes into play. I strongly recommend doing that. Our station (back to WITR...oh no...): We have a general daytime format called The Pulse of Music where no matter who is on it's going to be a similar, Indie Rock, themed show. The stylings will range from electro-pop heavy to garage-rock heavy but in the end, you know what you're hearing. We do specialty shows at night and on weekends, which are shows devoted to a single genre of music. Now, a college like WTBU? They do things differently and it works for them. It really depends on what you like.

3. The above two things tie in to this: what demographic are you targeting? It's a college station, so chances are the local college students. It's your (and whoever elses) job to appeal to your demographic while maintaining the integrity of the station. Basically what I'm saying is don't ever sell out to iheartradio.

THE PEOPLE (or: be friendly, be outgoing, and surround yourself with ambitious people)

1. People. You're going to need them. Probably lots of them, and you're going to want them to buy into this awesome opportunity to start a station. Know how many people do that? Not many, that's how many. I would be shocked if you can't find people who aren't passionate about music and would love to be involved with radio. Know any music related groups at your university, because I'm sure you can find people there that would love to help out.

2. A minimum number of people is hard, but if you want to fill a lot of time you're going to need a lot of DJs or have long shows - and a system of standards and training to make sure everybody is up to par. You want to have a high level of quality before you start letting people go out and doing whatever, and that involves the stuff with setting a format and ensuring that it's being followed and having people to enforce that (see: the contact pages I linked to way above).

3. People within your university. They'll probably be interested to hear about this, since it will be representing the university in some form and also the community at large. Due to this, some will probably be very happy to help. We have 1 and sometimes 2 advisers, along with 1 technical consultant for when things go wrong with our tech. The advisers can help with tons of things regarding logistics for events, a space to host whatever equipment you may need, recruitment and publicity, so on and so forth which leads us into...

MARKETING (or, why people should care).

1. You have a station set up, with DJs who are trained and care about what they're doing, but that doesn't mean people are going to listen or know about it. Market hard, yo. Brand yourself, and set up branding and cultural guidelines. Know what else this is good for? Helping with transitional periods after the old guards graduate.

2. Branding: You'll want some sort of a slogan, you'll want a name for your station, and you'll want a logo for it. Google any number of radio stations and you'll find that they're all different. From there, you'll want to find some sort of consistency for all of your marketing. Avenues include but are not limited to posters, promos in local publications, using your own station to promote yourself, reaching out to other community organizations and working them for a mutual benefit, etc.

3. A website is a great thing to have and you'll need one. Yell at insomniasexx about that. I'm actually hoping to hire a new webmaster for us sometime this week or next, to embark on a complete overhaul of our website and bring us up to snuff with a lot of great stations such as KCRW (seriously ghostoffuffle, this site is killer).

4. Events! Get yourself out there at concerts, musical events on campus, whatever else might tickle your fancy. We do a ton of events ranging from providing music for other groups to putting on concerts to having a presence at local art galleries.

5. Fundraising! You're going to need money to sustain an operation no matter what you do. This is what I've spent years doing at this point, and there's no easy way to do it. The best bet is time, and building up a loyal audience.

THE PAPERWORK (the...most...fun part?)

1. OH HEY DON'T FORGET ABOUT ALL THIS BECAUSE IT'S ACTUALLY SUPER IMPORTANT. But yeah, you're going to want to establish policies and procedures, bylaws, and all of that stuff since, you know, this hopefully won't be a one year and done thing. It's something that will likely be a lasting organization and will have an impact on the university around you, maybe not at first, but at some point in the future. This is an aspect where an adviser or working with an internal legal department is very, very helpful.

First things first: An ability to learn, a tendency to be on time and a sunny demeanor count for a lot more than mad skillz. Mad skillz means you're there to use the gear. Eagerness and friendliness means you're there to participate. Don't worry about your abilities, show off your ambition and enthusiasm.

Once you're in, THEN you can talk about a "school radio." Although if they have no transmitter and license, you're in for a long haul. These are not things that one orders on Amazon.

Best prep is probably to listen to a bunch of radio to see what you like, what you don't, what you'd bring to it and why you care. If you really are going to talk your school into throwing up an antenna, it's gonna look dope on your college application... but it's also going to take a shit-ton of convincing and no small amount of fundraising.

Good luck.

I always listened to WCBN when I lived in Ann Arbor. All of the shows/DJ's did different things. My suggestion is to listen to a few stations. I'm sure ButterflyEffect can help with some advice.

kb's suggestions for acing the interview are excellent. But note: if you are interested in introducing a radio station at a Canadian post-secondary institution, familiarize yourself a bit with the CRTC rules regarding campus and community stations. The CRTC licences broadcasters to use the public airwaves. Getting a licence is non-trivial.

There is also a helpful [National Campus and Community Radio](Associationhttp://www.ncra.ca/compliance-resources/crtc).

If this is going to happen, you definitely need to form a committee -- and it does take a long time. Maybe they have a closed circuit or internet channel.

If you can research the Association or Radio-Video before your interview and find more about what they videos they have already made and watch them, it would be impressive.