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What are you talking about?
Well, test prints aren't an issue either. I need to know about the actual procedure of applying profiles for professional printing and how to correct for printer limitations.
I don't even know what to look for, though, because I never went to school for photography--even if I have to read a textbook, that's fine, but I don't know what the field is called, but I do know that I know absolutely nothing about the subject.
When I actually apply the necessary profile, the color goes flat. I don't know which mode to use, perceptive, relative or what have you and I don't know what other procedures are necessary.
It's not like I'm printing this at home from a dinky inkjet. I'm paying for large prints.
Of course the profile is important, because if I don't consider it, the printer will throw out a swath of colors. Calibration isn't the issue.
I've hypothesized for a long time that it is a mechanism to stabilize population growth, as population becomes too high, the gene manifests itself more frequently.
I don't have anything to back this up, but it's not mentioned in the article.
A lot of the romatic pianists seem to fit that description well, imo.
Franz Liszt and Vivaldi come to mind.
Perhaps if you take a slightly different perspective. I'm gonna use 12 tone to describe it, since I don't know any music theory.
do-mi-sol is 1-5-8. to transpose it, you add one 2-6-9. And so forth. That is why you are not discriminating much between white keys and black keys in your memory. Instead, you memorize simple patterns. Only six patterns to memorize all of the major and minor scales--not counting one additional memory factoid to distinguish how major and minor differ (+6)
Does that make sense?
Terence Mckenna posited something similar to the idea that we are evolving to greater abilities for imagination due to ever increasing levels of neurotransmitters/dmt. It's worth a ponder.
To answer your question with another question: Can conscious beings who do not have emotions exist?