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comment by crafty

Great points all around, thanks for the response. There is quite a bit more complexity when it comes to quality cinematography, compared with still images. It's a case where the barrier to entry is pretty low; still photography has been fairly low for a while now, and video, while perhaps not quite to the same level yet, has seen a pretty big sea change over the last decade or so, however, the skill cap at the top end of video production is certainly higher than that of still photography. Technique is one of those things where some people regard it as worthless and it's everything to others, but the true masters know when and how to employ exactly the tools and techniques that their art requires. Wong is clearly in that first camp, and I've often found that position to be rather contemptible, as you do too, which is what prompted my whole rantski. I can't say I know the Flickr photo you're talking about; I'm not much of a Flickr user, but I get what you're saying.




kleinbl00  ·  1479 days ago  ·  link  ·  

Yeah, I wasn't clear about the photo. You've got to know it; it's a postwar French(?) shot of either someone descending down a staircase or riding a bicycle through an alley as visible down a staircase. It's black and white, and has an extreme overhead sort of look. It's a famous photo, hanging in the Tate Modern or something.

Anyway, someone posted it on Flickr in one of the photo critique groups without identifying it. Not only did nobody know what it was, but to a man they lambasted its technique, composition, etc. It was actually pretty hilarious.

crafty  ·  1479 days ago  ·  link  ·  

Oh, you're talking about Henri Cartier-Bresson, yeah, it's the decisive moment. When all you've got is one shot, make sure the shot is at the right moment! Everything has to come together to make a great photo. People are so funny sometimes, especially when they love talking out their butt!

kleinbl00  ·  1479 days ago  ·  link  ·  

Yeah, exactly. Mario's Bike. Thanks for finding it!

    This looks contrived, which is not a bad thing. If this is a planned shot, it just didn't come out right. If you can round up Mario, I would do it again. This time put the camera on a tripod and use the smallest aperture possible to get the best DoF. What I would hope for is that the railings are sharp and that mario on the bike shows a blur. Must have the foreground sharp, though. Without that, the image will never fly.