I now see why you didn't tag me... Speaking as a professional audio engineer, I make the following DEMAND: When you record and bounce, save out your individual contributions at 24-bit and upload them to me. We'll compare and contrast your finished product and my finished product. I'll show you why people still get paid to do this stuff.Let's one by one import the MP3 most recently provided, add our unique part and then re-post as a newly bounced MP3.
Actually, you jumped the gun. I was going to shout-out and see if you would final-mix the end product. When it's "done" can I email it to you? This is turning out to be a cool project.
Trying to find time for drums. With a family and short evenings, loud drums are hard to get recorded. Any other instrument would have been done by now, sorry everyone.
I'd personally love to hear the difference. I asked my buddy who owns a studio and has done the audio engineering on several big albums to put together a BOM for a modest home studio setup. I costed it out and it came to over $16,000 for a couple mics and a digital audio interface. A huge help he was.
Most of the bouncing has already been done if you haven't noticed already. I hope they still have the original recordings. I'd love to know more about audio processing. If you've got something interesting to show, I'll definitely listen.I'll show you why people still get paid to do this stuff.
