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- Seems like no art world job gets so consistently fucked up like the curating of the Whitney Biennial. Year after year, the Biennial gets panned for its disconnected assortment of work, which either expresses no consistent worldview or toes the institutional line. So when Charlie Rose rounded up Biennial curators Stuart Comer and Michelle Grabner and artists Zoe Leonard and Jacolby Satterwhite for an interview, the results were, unsurprisingly, noncommittal.