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This is a great exercise in performance art for those not used to it. Selling art by deceiving the public about the paucity of reproduction.

Clearly the author has no idea how audio production works, or possibly how digital access works. No musician works that hard on a recorded production then deletes the masters on purpose. No one is going to give a rat's ass about the album in 88 years. It'll sit for a few months, then a "commemorative release" will somehow become available.