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Right, but it also said that Gustav had that collection of modernist poetry and it did seem to figure into his character. Like that thing about boning old, rich women. Anyway, in Wes Anderson movies I'm never sure what any but the most obvious symbols are vs. opportunities (intentional or otherwise) for the viewer to "read into" a particular scene or the movie as a whole. I like Willem Dafoe as a thug and while his scenes were pretty cartoonish, I kind of felt like more could have been done with his character.