When Constantine briefly shone on NBC, one refrain was that no matter how bumpy the series’ run was, at least it wasn’t the Keanu Reeves version. But really, on re-watching 2005’s Constantine, I found it works—for all the reasons it shouldn’t. The fact that the actors were all given scripts that varied wildly in tone? Shouldn’t have worked. Casting Gavin Rossdale? Shouldn’t have worked. The costuming? OK, the costuming all works perfectly—Gabriel and Balthazar have both matched their socks to their ties! And the pocket squares… I can’t even think about the pocket squares.

    But the biggest way Constantine works is by using Hellblazer as a jumping-off point, rather than a stone-carved outline to be slavishly followed. In doing so, it creates a moody piece of modern, metaphysical noir.



bfv:

I think I might prefer the movie to what comics have done to the character since Hellblazer ended. I didn't buy it when he said it, but I think Warren Ellis was right that John Constantine really belonged to his time and doesn't fit outside of it.


posted by forwardslash: 1130 days ago