I wonder if she will be indicted over this email thing? With all the discussion over whether these accusations will end her campaign, I think a formal indictment would certainly do that. Hardly shocking that Hillary would make a few convenient lies of omission like any seasoned politician. I guess that would leave Sanders and Biden to duke it out; my parents have already mentioned to me about how they like Biden, as if he would be any better than Clinton. He certainly would make a palatable option to the establishment.

Or, maybe just photographers who don't appreciate being framed as racists because Kodak decided to put a light skinned lady on some 1950s-era color balancing card?

The US justice system never fails to disappoint me. I enjoyed the Money as Debt documentary you linked a while back; it's amazing that these people were essentially printing money left and right, and when the whole mess collapsed, these bad actors never got cleaned up. I suppose part of the reason is that it's hard for simpletons like myself to wrap my head around how these "instruments" work.

The idea of a mortgage makes sense; the homebuyer signs a contract, the bank gives out money and holds on to the deed until either the terms of the contract are repaid and the homeowner is given the deed, or the obligations go unfulfilled, the bank kicks the person out and auctions the deed off. Banks didn't want to sit there for thirty years with this whole contract/deed thing, so they were bundling them up and selling them to other investors/banks so they could have the money without the liability. Now, when people can't pay their mortgage, who owns the deed when these mortgage-backed securities had been resold all over the market? Am I understanding this right? How could they not keep track of this? Why not just outlaw these mortgage-backed securities?

Yeah, the agenda bullshit is annoying. He does more harm than good to package a story like this in such ideological terms.

Oh, you're talking about Henri Cartier-Bresson, yeah, it's the decisive moment. When all you've got is one shot, make sure the shot is at the right moment! Everything has to come together to make a great photo. People are so funny sometimes, especially when they love talking out their butt!

Great points all around, thanks for the response. There is quite a bit more complexity when it comes to quality cinematography, compared with still images. It's a case where the barrier to entry is pretty low; still photography has been fairly low for a while now, and video, while perhaps not quite to the same level yet, has seen a pretty big sea change over the last decade or so, however, the skill cap at the top end of video production is certainly higher than that of still photography. Technique is one of those things where some people regard it as worthless and it's everything to others, but the true masters know when and how to employ exactly the tools and techniques that their art requires. Wong is clearly in that first camp, and I've often found that position to be rather contemptible, as you do too, which is what prompted my whole rantski. I can't say I know the Flickr photo you're talking about; I'm not much of a Flickr user, but I get what you're saying.

[John's] complaint averred that John and Jane met at a party then proceeded back to his room where Jane initiated sexual intimacy, and the two proceeded to have consensual sex. The next morning, he drove her home, and they exchanged phone numbers. Jane later told a friend she "had a good time.” Thereafter, John and Jane became Facebook “friends,” and John texted her, “. . . I felt like we had a pretty good connection,” and she responded, "haha I thought we did as well.”

Approximately one month after their initial encounter, they again had consensual sex. But then, Jane saw John at a party kissing another female and left upset. That summer, Jane went to work at a women's clinic that dealt with sexual assault issues. Seven months after the initial encounter, Jane visited a therapist, who said Jane’s had “an evolution” about how she felt about the initial encounter.

Thereafter, Jane attended a presentation by Washington & Lee's Title IX Officer, Lauren Kozak, who introduced an Internet article the court would later label “gender biased” against males to alleged that "regret equals rape." Kozak said that “everyone, herself included, is starting to agree with” that.

Almost nine months after the encounter in question, Jane initiated an internal disciplinary investigation of John. Ms. Kozak interviewed John and refused to allow him to involve an attorney. A hearing was held, and, among other irregularities, Jane was not asked about inconsistencies in her various statements about the encounter. ... The next day, W&L found John responsible for sexual assault.

Say what you will about this "#trollspam" (I'm looking forward to seeing community tags users become public) but the issues of this case do seem rather damning, unless I'm missing something. A woman who is the victim of rape is definitely a terrible tragedy, but in a case like this where a man and woman have consensual sex, then nine months later, she can go to university officials who, without due process, find him guilty of "sexual assault" and expel him, that is neither justice nor equality. Being gay, my perspective on man/woman sex is perhaps a little different, but rape and sexual assault should be treated like any other crime, investigated by police and courts with due process.

My mom can get motion sickness in a regular old movie theater. Me, on the other hand, I love that stomach dropping feeling you get when you have a flying scene in a dome IMAX. I think some people are really sensitive to it, and others, not so much.

I must say, I look forward to even the most insufferable discussion of art; it is one of the few topics I'm slightly knowledgeable of. There's only a very tiny handful of artists and art that I dislike, and I must admit, I'm not a Hirst-hater, although I recognize him for what he is.

Here, have some some highlights from the US Bureau of Labor Statistics!

On labor force participation:

In 2013, 57.2 percent of women were in the labor force, down 0.5 percentage point from 2012. Men’s labor force participation, which always has been much higher than that for women, also was down in 2013, from 70.2 percent to 69.7 percent.

...

Labor force participation varies by marital status and differs between women and men. Among women, divorced women had the highest labor force participation rate, at 64.7 percent. The rate for married women was 58.9 percent. For men, those who were married had the highest labor force participation, 74.2 percent. Divorced men had a labor force participation rate of 66.8 percent.

On occupation and industry:

In 2013, women accounted for 51 percent of all workers employed in management, professional, and related occupations, somewhat more than their share of total employment (47 percent). The share of women in specific occupations within this large category varied. For example, 20 percent of software developers and 33 percent of lawyers were women, whereas 62 percent of accountants and auditors and 81 percent of elementary and middle school teachers were women.

Employed Asian (48 percent) and White (43 percent) women were more likely to work in higher paying management, professional, and related occupations in 2013 than were employed Black (34 percent) and Hispanic (26 percent) women. Meanwhile, Hispanic (33 percent) and Black (28 percent) women were more likely than Asian (21 percent) and White (20 percent) women to work in lower paying service occupations.

In 2013, women accounted for more than half of all workers within several industry sectors: financial activities (53 percent), education and health services (75 percent), leisure and hospitality (51 percent), and other services (52 percent). However, women were substantially underrepresented (relative to their share of total employment) in agriculture (24 percent), mining (13 percent), construction (12 percent), manufacturing (9 percent), and transportation and utilities (24 percent).

On earnings:

In 2013, women who worked full time in wage and salary jobs had median usual weekly earnings of $706, which represented 82 percent of men’s median weekly earnings ($860). Among women, earnings were higher for Asians ($819) and Whites ($722) than for Blacks ($606) and Hispanics ($541). Women’s-to-men’s earnings ratios were higher for Blacks and Hispanics (91 percent for each group) than for Whites (82 percent) and Asians (77 percent). (See table 16; note that the comparisons of earnings in this report are on a broad level and do not control for many factors that may be important in explaining earnings differences.)

Emphasis is mine. There is a pay gap. The question is, what is responsible for that pay gap? Differences in educational attainment, occupational trends, hours worked, and years of experience all affect this overall average, which is lower for women than men. The cultural idea that women should be homemakers, bearing and raising children, all of which is unpaid labor, is responsible for some of that gap. Women, on average, work fewer hours than men, and the hourly averages work out to $19.60 for women, versus $21.18 for men, which is 92.5% of what men are paid [Edit: upon careful rereading, that might not be accurate; it looks like the BLS may have taken some of that into account, as average weekly earnings are for people who work full-time, and the 36hr vs. 40.6hr average work week difference is due to more women working part time?].

There is a whole wikipedia page examining the US gender pay gap with a ton of theories and sources. It's not as simple as "all men and women are paid the same!" or "every woman earns eighty-two cents of a man's dollar!"

Well, I think I still stand by my premise that downmarket does change art. It's true, brownies didn't denigrate Adams, but that's because Adams (and the rest of group f/64) managed to stay ahead of the advancing technical curve. Everyone knows his name today since his images are so accessible to most people, but most modernist photographers were making much more creative and interesting work, in my opinion.

Karl Blossfeldt, Adiantum Pedatum, ca. 1920s; Photogravure. 10 x 8 in.

El Lissitzky, Runner in the City, ca. 1926; Gelatin Silver Print. 5 1/4 x 5 in.

Edward Weston, Shell, 1927; Gelatin Silver Print. 9 3/8 x 7 3/8 in.

Man Ray, Anatomies, 1929; Gelatin Silver Print. 8 7/8 x 6 3/4 in.

Iwata Nakayama, Eve, 1940; Gelatin Silver Print. 18 1/8 x 13 3/8 in.

Barbara Morgan, Pure Energy and Neurotic Man, 1940; Gelatin Silver Print Mounted on Board, 13 1/2 x 10 1/2 in.

Without getting into each of these artist's work individually, I think it's fair to say they were reacting to the growing commonplace of image making through abstraction, just like painting did. They had the freedom to experiment with new ideas in an age long before photoshop and the digital darkroom made unconventional photographs commonplace.

I think a contemporary version of Adams would struggle to survive in today's image culture that's saturated with "Earth Porn". If you look at someone like Peter Lik, which is probably the closest contemporary analogue of Adams I can think of, he's managed to make a name for himself through marketing mostly. He's got a book publishing company, and a TV series that ran for a season on The Weather Channel, buzzfeed articles about him, etc., but his actual pictures, while certainly technically adept in every sense, look like only marginally better versions of the everyday clichéd smut people submit all the time to the SFW Porn subs, with the biggest difference being that he shoots with film and makes big C-prints instead of shooting digital and uploading to imgur or flickr or whatever the cool kids/"pros" use these days.

Peter Lik or SFW Earth Porn?

Peter Lik or SFW Earth Porn?

Peter Lik or SFW Earth Porn?

Were those shot with a ten thousand dollar prime lens or a kit lens? Who knows, it's anyone's guess. Lik's wasn't though, and it'd be apparent by the time we enlarge them to 30x40. If I wanted to spend a few minutes in Photoshop, I'm sure I could make imitation Ansel Adams pictures from a few cherry picked earth porn submissions that would fool most people. We're so saturated with pretty pictures, 99% are blind to the minor technical details that separate a "good" photograph from a "great" print, meanwhile the cool and interesting ("artistic") photographs are the ones which manage to stake out unique creative territory or have interesting conceptual ideas behind them.

Hiroshi Sugimoto, White Rhinoceros, 1980; Gelatin Silver Print, 13 7/16 x 23 1/16 in.

Jeff Wall, A Sudden Gust of Wind (After Hokusai), 1993; Transparency in Lightbox, 90 x 148.5 in.

Andreas Gursky, 99 Cent II Diptychon, 2001; C-Print mounted to Acrylic Glass, 207 c 307 c. each

Roland Fischer, Birmingham (Day), 2007; C-Print face-mounted to Plexiglas, 71 x 49 in.

You mention Mapplethorpe, but come on, you know he rode the same 80s outrage train that brought Serrano into the limelight, and a big part of his notoriety in particular came from a premature death at the height of his popularity. I'd be willing to bet everything that if all he ever made were those (yes, technically amazing) black and white shots of lilies (Imogen Cunningham was doing that just as well fifty years prior), nobody would have paid him a second glance. His polaroids sit in a museum alongside the large format canvas prints just the same. Sure, now that the whole transgressive art movement is passé, everyone loves to buy his flower pictures as an awesome coffee table book to show off how artsy they are, but those images are certainly not what made him who he was in the art scene. Now I don't want to come off as lecturing you (I remember last time!) about art because I know you're as artistically literate as I am, but you must admit artists have always had to respond to (and push forward) the culture that they make work within.

I think we're lamenting the same things here, a low bar to entry (particularly in a place like youtube) means flooding the culture with low quality work which is a shame. Idiots like this Wong fellow can't tell the difference, and neither can most people, but simultaneously, people's consumption of media is changing; it's not just young kids that are watching youtube, I can count on one hand how many TV series I watch and one more hand for how many new movies I watch. I look at Lynch's take on watching movies on your phone and I agree with his point, but at the same time more and more content will be tailored for this new kind of casual consumption, and the forward thinking content makers will be making work in that direction. The true cinematic masters will still have their place in both the past and present, but like the portrait painters of yore, I wonder if their most popular heyday has passed. It's not the 1940s and we don't all trundle down to the local nickelodeon to watch a movie every weekend. Maybe Lynch should make some VR cinema?

Now if I were to address the the economics behind modern Hollywood TV and film, I must admit, I'd be over my head and I know you have a much better grasp of that. You mention Rome, and I watched it when it came out; I thought it was good, I was sad when they cancelled it, although it never really captivated me the way GoT did. I think with the birth of Jesus, they could have done a lot with the series, but like you say, it ran into a financial wall. It's hard to capture lighting in a bottle like that when there are so many great shows out there, not to mention all the new types of (lower-quality) entertainment. Anyone in their basement with a great idea can go out and make compelling content, content that even looks halfway decent (to most people) as Wong's video demonstrates. That means to the average consumer of media, the person paying a buck per second of film is competing on the same level as a person with a flipcam, and if the viewers can't tell the difference, on a commercial level, one is going to suffer disproportionately compared with the other.

Like you point out, costs for "professional quality" content haven't gone down all that much, and I guess it's because the best quality content is pouring money into diminishing returns to eek out that little bit of extra wow factor, and big casts, shooting on location, hyper-realistic vfx, despite all the tech, is still time consuming and expensive. In spite of that, just because the market for that specific kind of content is tightening, I don't think it will ever go away. People are enchanted by new things, fresh stories, new ways of seeing, new ways of communicating, such is life. No matter how popular low-brow youtube becomes, I think detailed and immersive audio visual experiences will always be compelling to people.

The times, they are a changin'. I think that was a song or a movie or something.

Historically speaking, I look back at the birth of photography and what that did to painting. You had a handful western masters every generation who spent a life-time perfecting what they perceived to be "realism" and what it meant to create and preserve an image, then along comes photography which meant that any rich schmuck with money to burn on some equipment and chemicals could preserve an image even more "realistic" than those masters, and that forced painting to go through a massive identity crisis starting with the impressionists, and of course all of modern art tumbled out after that.

Then, if you focus on the course of photography itself, it starts off as this kind of expensive and (comparatively) difficult esoteric mix of science and art that is striving for, but always falling short of, a paragon of "realism." There were many creative people really thinking about the mechanical simulacra and the caliber and creativity of common photography was very high. Then Kodak came along and put a brownie in everyone's hands and chemistry caught up to the point where "realism" was a foregone conclusion; hyper-realism blinded everyone to the difference between image and subject. When everyone could just snap a photo, the concept of artistic photography had to change and so we went from Lange's Migrant Mother to Serrano's Piss Christ.

We've been living in this hyper-real world for a while now; look at Game of Thrones, it's more real than reality could ever hope to be, as a kind of professional gold standard. However, technology has been changing and it's making things accessible on a new and different level. I'm still not sure what effect it will have on art/film/photography in twenty or thirty years; there is a lot of pressure on the "old masters" so-to-speak. Looking at GoT and comparing it with something from the seventies or eighties, it's easy to see they've been able to up production values thanks to technological advancements, and that's always the challenge, how to maintain one's position as the creative avant-garde. I share your disdain for dredged-up youtube shite, but we cannot deny that the mediums and modes of artistic audiovisual production are inexorably changing. C'est la vie.

I firmly believe that as long as what you make is fresh and creative there will always be a place for it. Sometimes you need those difficult technical skills at the envelope of your equipment to stay on that edge, sometimes technology is an earthquake that brings a whole new set of people, skills and equipment onto that edge.

Yes, my concluding simile was weak. Plenty of people can drive on the road like they would on a track and tires make do make a real difference just the same on road or track. Touché, good sir.

The whole video just smacked of low-brow idiocy; "Who needs focus charts!? They don't mean anything [to me]!" It's like, yeah, no shit, it shows. I just thought it was kinda funny to think of someone sitting there watching the youtube video and pondering to themselves, "Wow! I really can't see a difference between those fancy-pants lenses and that cheap kit lens!" At least for those people, it probably is good advice, they shouldn't waste their money on something more than they'll use.

Edit: Also I just can't help but chortle at his scowling face on the title screen of that video. Did he really charge his client after not showing up?

I kinda have to agree with you on that, I think it's good to have branching lexicons, some which can more rapidly incorporate fast changing language, even at the expense of including words that might only be fads without staying power, and others, with more strict guidelines that can be steered by a language's long term path, as well as maintain the historical context of non-contemporary terminology. Saying language is going to shit is like saying art is going shit; it all depends on who you ask. My opinion is that better or worse is irrelevant, anything cultural is alive and the best thing about it is that it never stands still.

Edit: @rd95 Yep, it should be pretty obvious that an unchanging language would be useless in a world that never stops changing.

I suppose it is, although I think it's just a reflection of how much the internet has become a dominant mode of communication among people.

What happened to your previous post?

Apparently the guy had a long list of grievances: http://abcnews.go.com/US/shooting-alleged-gunman-details-grievances-suicide-notes/story?id=33336339

Here's my approach, maybe it can help you.

First, mentally separate out the expletives, rude puerile insults, or ad hominem attacks. If that's the majority of the response someone is giving you, perhaps you don't even need to respond at all. People get flustered all the time, it's important not to let that get under your skin. Perhaps you can even take pleasure in the fact that they're more frustrated than you, and the only way they can win is by making you as angry as they are.

Second, read their response as charitably as you can. Give them the benefit of the doubt where ever possible and point out areas of common ground; acknowledge what you can agree on first before examining points that you disagree on. Obviously this is easier if you have some prior knowledge or experience with the person, and generally speaking, this is just easier for some people more than others, but I think it's something you can practice if you make a conscious attempt to do so.

You might say, "well, this person is a racist, sexist, bigoted asshole! Why would I give him or her the benefit of the doubt? How could I possibly find any common ground with a person like that!?" However, in my experience, very rarely will you encounter a genuine person with whom you can find zero agreement with. There are (capital 'T') Trolls that will disagree with everything and say anything to get a rise, but those become apparent since most people, when encountering this approach, will mirror it back and start looking for common ground in your points. Beyond that, admit when you're using hyperbole, if the person you're talking to makes a good point, let them know, be cautious about how you rephrase the other's arguments, and be open and ready to admit if you're wrong or make a mistake. The people worth engaging with will return the favor, and those that aren't, won't.

Third, on the points you disagree with, make your case as forcefully and respectfully as you can. If the other person is making points you can't easily respond to, then just chill. You don't have to admit they're right or agree with the other person; maybe you can type out a response and leave it a draft or just think about it for a while. The important thing here is not to let heat of the moment emotions cloud your judgement.

Lastly, use the personal moderation tools however you see fit. If you want to block literally everyone on the site, save for five or six people, that is your right, and don't let anyone criticize you for it. If you just don't like a person for whatever reason, don't feel bad about blocking them. Let them complain if they want to, but ultimately, on your posts and comments, you choose what they say and who you want responding to them. My personal view is that to use the block functionality just so you can get the "last word in" on some debate is a little immature and I think slightly less of someone when I see them do that, but again, it's up to you. I can understand getting frustrated or angry and not wanting to talk to someone, in which case, just don't reply to them and block them only if they won't leave you alone.

Edit: Thanks for the badge, I'm glad you found it useful! This is the culture of friendly and open discussion I think most hubskiroos want to foster.

That's a good point. My simplistic understanding of the economy misses quite a bit, as my following of economic news pretty much consists of "hmm stocks went up! ooh stocks went down!"

Hmm, I hate to say you're imagining things, but I'm not sure I have the same perception you have. I feel like things have been fairly quiet in my corner of hubski. There haven't been any recent reddit refugee crises that I'm aware of.

Edit: I would just add that I have seen some of the more heated discussions you've taken part in recently and I think that's just par for the course; there are certain topics that do engender a more lively debate, and it's often easier to focus on the disagreement and dig the 'ol ideological trenches so-to-speak, but I think as the newer members get to know each other, and the older ones to newer ones, disagreements will tend towards civility. At least, that has been my experience of off and on lurking over the past two years here.

The most recent six thousand words of my comments say I'm:

You are a bit compulsive, somewhat critical and shrewd.

You are intermittent: you have a hard time sticking with difficult tasks for a long period of time. You are unconcerned with art: you are less concerned with artistic or creative activities than most people who participated in our surveys. And you are laid-back: you appreciate a relaxed pace in life.

Your choices are driven by a desire for efficiency.

You are relatively unconcerned with tradition: you care more about making your own path than following what others have done. You consider helping others to guide a large part of what you do: you think it is important to take care of the people around you.

Twitter's reasoning is pretty dumb:

Imagine how nerve-racking – terrifying, even – tweeting would be if it was immutable and irrevocable? No one user is more deserving of that ability than another. Indeed, deleting a tweet is an expression of the user’s voice.

Imagine how nerve-racking - terrifying, even - giving a press conference would be if everything you said was immutable and irrevocable!?

Words that come out of your mouth can't be unsaid and words put up on the internet can't be undone, although people will certainly try. If you say something wrong, it's better to clarify, retract or apologize with an additional sentence, instead of pretending you never said anything at all.

No one cares if you get "misconstrued," you deleted your posts and your account, clearly you didn't have much conviction behind what you were saying in the first place. If you can't take K's prickly style of commenting without getting your panties twisted, that's not his problem. Accept the fact that your perspective is not the end all be all of reality and move on. Maybe you might even learn something, but that could be a step beyond you.

people who make a stink about "doxing" are people who should not only be doxed but should expect federal warrants for facilitating harassment and stalking

That is the dumb sentence that keeps tumbling out of your mouth over and over. If you're harassing, stalking, making bomb threats, death threats, rape threats, that's wrong and should be dealt with accordingly by the legal system. If you're complaining (making a "stink") about people harassing, stalking, making threats, etc. and so on, ("doxxing") you do not deserve a federal warrant for facilitating harassment and stalking. That is dumb. And stupid.

By the way, if you want to leave a forum, the first step is not to come back and argue your beef on said forum. Just a suggestion, since you seem pretty dick averse.

I return to the quagmire of the world's unenlightened anti-intellectual untermenschen.

Sounds like you're going back to where you belong, and with usernames like is_fuck_you_klein and no_really_fuck_you, I'm sure they'll welcome you with open arms.

What tools do the central planners really have to counteract an economic slowdown? The Fed has kept interest rates at 0 since 2008, right? Would they do another round of quantitative easing? From what I understand, monetary policies to stimulate growth are pretty much exhausted.

Yet making such tough choices must come coupled with an increase in spending at national, state and local levels for fire-prevention measures. The US Forest Service is now spending more than 50% of its budget on firefighting alone, which is seriously undercutting its ability to conduct more cost-effective thinning of forests that can diminish a fire’s intensity and speed.

Sounds like the federal government needs to follow California's lead and use prisoners to fight wildfires! I say that tongue in cheek; I don't condone slave labor, but it is just another a sign of the times. I've seen people argue that prisoners want the ability to do work outside of prisons, that these opportunities are "optional", that it gives them work experience for when they leave prison, that they receive reduced sentences and are paid a good wage of something like $2 a day, but something about it just doesn't seem right.

I took one of the myers briggs test a few years ago and it said that I'm an INTP. After reading the description, it did seem to fit me rather well.

INTPs are marked by a quiet, stoic, modest, and aloof exterior that masks strong creativity and enthusiasm for novel possibilities. Their weaknesses include poor organization, insensitivity to social niceties, and a tendency to get lost in abstractions. Keirsey referred to INTPs as Architects, one of the four types belonging to the temperament he called the Rationals.

Well, I have to be honest, I don't think I've ever seen An Inconvenient Truth. I always just assumed the gist was "global warming is a thing, 'mmkay" and recently I thought it must be too dated to even bother watching, but I guess not.

To me, I see several issues; on one hand, we're burning fossilized plant and animal matter at rate and scale which is having a measurable impact on the composition of the atmosphere, on the other hand, the climate is such a complex system if we wait until every minutia of weather is universally agreed upon, explained, and understood by every scientist, not to mention every John, Joe and Sally, as a species, we sill sit here and watch the ecosystem we depend on collapse around us. Combine that with the "sky is falling!" crowd which sees a doomsday around every corner (and they deserve to be tempered with reasonable skepticism) but I think we should be mindful that eventually, given enough time, the sky really will fall. Business as usual works great if you've been riding the gravy train for a long time and you're going to be checking out soon, but if policy makers are too busy shoveling coal into that gravy train to look up and realize we need to switch tracks, our future (or maybe just my future, considering you're a little older than me) is going to suck a little (or a lot) harder than it needs to. I suppose maybe they don't need to be convinced, they just need to be pushed off the train.

The thing is, being convinced of something is different than really understanding something. I'm convinced gravity is a thing, despite the fact that I may not understand why gravity is a thing. I think the author hints at that a little:

“There have been a number of studies that have shown that some people will change their views of climate change based on extreme weather,” Leiserowitz said. “It’s not enough to simply experience a heat wave — it then needs to be contextualized. It needs to be interpreted by thought leaders and trusted people in a community and by the media and scientists saying, ‘This is an indication of global warming.’”

It sounds like we just need better propaganda, not in the sense that the masses become educated, but so that the masses become convinced. Of course, I'm not really clear on the correlation between who's in control of mass media propaganda, what public opinion is, and what the actions of policy makers are.

It gives a whole new dimension to the term "security theatre." People like my parents don't seem to see eye to eye with me on this; they think if it makes them feel safer, then it's worth it, but to me, a false sense of security without doing anything to address the underlying causes of violence is worse than an empty show.

I find the relationships between corporate america and the deep state to be quite interesting. AT&T's cooperation with the NSA isn't exactly a new revelation but to see AT&T as being so particularly eager and willing to cooperate is a new reveal to me. I've often wondered, to what degree the relationship is coercive between them, but I suppose there is much more symbiosis. Sure, they may break a couple rules, but Congress will give them legal immunity if necessary and the security and surveillance apparatus ensures stability and continuity of the economic and political order, which the unraveling of is probably the biggest existential risk to the largest American multinationals, generally speaking.