Before and then after, kind of back and forth. I've come to realize it's not the sun itself, but the highlights elsewhere that control its brightness/tone.Frederic Church was the master of this:
Frederic Church was the master of this:
I hope you went to see the recent Church exhibit at the DIA. Unbelievable. It was paired with a Monet exhibit, and it made you yawn at the Monets by contrast.
I did. Church is pretty amazing. However, I kinda feel like he was just going for the wow factor after a point. There's one at the de Young museum in SF that's literally a double-rainbow over a huge waterfall.It's amazing and ridiculous.
It's amazing and ridiculous.
Oh fuck yeah. Thanks for the source material and name!