Webcomics creators often went online after being rejected by newspaper syndicates, gatekeeper conglomerates that grew increasingly conservative in the ‘80s and ‘90s. The best ones grew into beloved phenomenons, and the nascent funny T-shirt industry allowed many artists to make a living on daily cartoons throughout the 2000s.

    Social media and a glut of internet merchandise have shifted the economics. Artists increasingly rely on Patreon, book sales, and other sources of revenue, while new webcomics often pop up exclusively on Instagram, foregoing the expense of a dedicated site. But in those early days, webcomics were some of the most influential pieces of the early-ish internet — vibrant and weird. They formed followings, which became communities, which became culture.

    We asked those artists to tell us all about living through it.



tacocat:

How can you ignore the works of Tim Buckley?


posted 1844 days ago