It’s been long enough since the album came out, so I decided to write this because I don’t feel like studying for my midterm (it’s next week I got time) and also I’m mad at white people.

But Way, you’re always mad at white people.

Lol well yeah, but this time is particular because I was going through Boulder’s snapchat

Bad move.

I know, but listen, click click click and this mother is playing a TPAB song on his fucking ukulele.

Fucking, seriously? This moment? It encapsulates the entirety of my problem with TPAB.

TBAP is shit because it’s a product of a movement while distancing itself from it. It’s a fake-ass album for fake-ass white hipsters that want to be “down” with the movement that they have no understanding of and no interest in fixing. It’s diet-race-realization. It’s for the moderate that tut-tutted at Black Lives Matter protests from the comfort of their homes while getting hyped at Blacker the Berry. To be fair, I was hyped about it too, until I realized the last line is more fucking ‘it’s black people’s fault’ bullshit that I expect from Common, not Kendrick.

But it’s cool, Kendrick’s dead to me. If he wasn’t dead to me when TPAB came out and I listened to it for a few weeks, he was DEFINITELY fucking dead to me when he featured on a Taylor Swift song.

Believe it or not, Kendrick’s fanbase is like, ENTIRELY white. But this makes sense, considering the modern music industry has been plastering his smug-ass face on every single magazine in existence. Time, Rolling Stone, GQ, the Guardian, 24/7 coverage from Pitchfork — for real, it ain’t no wonder. So there’s something VAGUELY uncomfortable about listening to a dude strum his piece of shit four-string not-instrument while cooing “I don’t want you monkey mouth motherfuckers sittin’ in my throne again” on Snapchat in some dorm-room.

Now I got white dudes all OVER hip-hop forums trying to explain to me what the “Black struggle” fucking is, I shit you not! I remember someone wanted me to express my opinion on hubski when it came out, and I refrained for that reason (and also the fact that it was out for like a week and somebody called it a classic). I was going to save this for year 2 of “My hip-hop of the year” posts, but I’m maaaaaad.

I’m mad because TPAB is middle-class hip-hop. I knew this, but it was cemented in my brain when I hopped into my boy Rick’s car and this album started fucking playing. Now I love Rick. He’s been my buddy since 6th grade. But this motherfucker has never listened to hip-hop in his life. This shit is not a coincidence. Rick loves apple pie and baseball (seriously), not Dynamic Certified and Public Enemy. The hell did this album come from on his part?

And of course you don’t have to be black to appreciate hip-hop. That’s not what I’m saying here. What I’m saying is that TPAB is fucking manufactured for middle-class white people to eat up. It’s the fucking hand-job of protest music — “you know what I really want.” It lets white people feel good about themselves and think they understand shit about the struggle, but then go off to work in their fucking Priuses where they can listen to K-dot say shit like "When we don't respect ourselves how can we expect them to respect us”, and then they nod and go “yeah this makes sense.” Then Azealia Banks puts him on blast for his bullshit and all of a sudden she’s an “angry black bitch that needs to shut the fuck up."

REASON BEING! Azalea’s point — and subsequently mine — is not the point that white people wanna get down with. We’re supposed to shuck and jive for y’all the way you want, not have a fucking opinion.

So CONGRATULATIONS Kenny — you made some white money and all of a sudden "black people don’t respect themselves", while you ride the wave of black-unrest to a pool of even more middle-class money. And speaking of, where the fuck was this “conscious” bullshit in 2012? Too busy fucking Sherane? Nothing about your album is nuanced or poetic, it’s just a bunch of flimsy “2deep4me” lyrics overlaid with basic jazz samples that white dudes on RapGenius will cream their pants annotating.

Fuck To Pimp a Butterfly.

kleinbl00:

So sorry, young man. You're 25 years late.

I recognize that "Public Enemy" is to you what "The Who" is to me - something older than you whose influences you recognize that occupies a place of legend where things aren't real and dynamic.

But fuckin' A, holmes, I had Yo Bum Rush the Show on tape.

And here's the thing:

I put this together to

Rock the bells of those that

Boost the dose

Of lack a lack

And those that sell to Black

Shame on a brother when he dealin'

The same block where my 98 be wheelin'

And everybody know

Another kilo

From a corner from a brother to keep another,

Below

Stop illin' and killin'

Stop grillin'

Yo, black, yo (we are willin')

Flava Flav was a comic foil deliberately designed to be the "jester" to Chuck D's most-decidedly political leanings. You joke with it so that you don't wear the audience with your constant nagging but holy fuck - "It Takes A Nation of Millions To Hold Us Back" has the racial, socioeconomic challenge in the goddamn title. And it's not like Public Enemy was the only political rap band:

But the money didn't go that way.

N W A's fuckin' up tha program

And then you realize we don't care

We don't just say no, we to busy sayin' yeah!

About drinkin' straight out the eight bottle

Do I look like a mutha fuckin role model?

To a kid lookin' up ta me

Life ain't nothin but bitches and money

Cause I'm tha type o' nigga that's built ta last

If ya fuck wit me I'll put a foot in ya ass

See I don't give a fuck cause I keep bailin'

Yo, what the fuck are they yellin'

Easy E? Yeah, he wasn't a "comic foil." He was a stereotype. Los Angeles took that New York Political Anger

and turned it into frontin'.

And it's been downhill from there. Here's the thing: White kidz? "Yeah, I'm badass. Yeah, I scare everybody. Yeah, drugs are cool. Yeah, violence is cool." She Watch Channel Zero? "Bitch, that's my afternoon, fuck off."

You could tell it was over when the Fugees hit the scene. If you want to get young black men enlisted in improving their lot, throwing Enya behind it is not the way. Wanna get your shit played at The Gap? Well...

You been co-opted, son. You were co-opted before you were born.

Travel torn path, swung as pendulum

Now my thread of life's come undone

Remember back when Uzi's weighed a ton?

Now ever kid's got one.

Dipped in platinum bathed in aggression

Succumb to last temptation

Lost all my patience

Peace to last bastion:

Afrika... Zulu nation.

Remember days of cardboard, fat lace, and krylon?

Microphones and twelves, tools we all relied on

Niggas dropped a verse, the thought was one to die on

I remember hip hop, that's my Mt. Zion.

There is no truth behind this link. There can't be. The numbers don't add up.

But it feels true.

Go ahead. Tell me that video was made for black kids.


posted 3133 days ago